What if Chopin didn't abandon his work on the concerto No. 3? What if the f-minor concerto comes with a different orchestration? Are we open for the old known works in an unknown form?
What Liszt and Bellini have in common? And what this all has to do with Warsaw?
This double album forces the listener to see the compositions in a new light. Tests his ability to listen with open ears, with no prejudice.
At the same time it's a record of the first orchestration and score edits by Ingolf Wunder.
What Liszt and Bellini have in common? And what this all has to do with Warsaw?
This double album forces the listener to see the compositions in a new light. Tests his ability to listen with open ears, with no prejudice.
At the same time it's a record of the first orchestration and score edits by Ingolf Wunder.